[NEWS] JYJ in Berlin – off the record interview

Q. It’s the last tour for this year. What points are you going to appeal?

Junsu: This tour is an extension of the worldwide album, not a new one. There’s nothing much changed for this tour. Instead, we are going to have European dancers on stage with us. A popular star in Spain(Rafa Mendez). He dances passionately, with acrobatic skills. We combined those kind of dances with our performance. That could be the difference.

Q. It’s the first solo concert in Europe, unlike combined concerts of other companies. You mentioned that being able to narrate or do a storytelling is a difference(between JYJ’s concert and other combined concerts). What does that mean?

Junsu: In a project concert by companies, many singers show up, sing their title songs, and that’s all. However, JYJ can show diverse things through talking. The difference starts from there. The dance songs and ballads have a story. On the other hand, when singers just sing their own songs and leave the stage, it could be awkward when moving on to a ballad after a dance music. Those are the different points. In other words, this is a performance in Europe, putting up our team’s name, not a company’s title. It’s meaningful for the fact alone that we made the first step in Spain and Germany, where no one tried before.

Q. Do you realize the K-pop fever, as you’re actually in Europe?

Jaejoong: I think the K-pop fever we imangined is exaggerated. In Thailand and China, you can hear K-pop just walking on the streets. You can also commonly see selling (K-pop) CDs. To be honest, in Europe, it’s hard for a star to feel the fever if not around the venue. It’s a step where K-pop market is just initiating. The fire is about to start. People are calling it K-pop fever in Korea, because there are more and more Hallyu manias forming as time goes on. Because there is this fever, they want to know about K-pop. In our case, it’s a small scale performance, as it is an exclusive concert. It’s a concert without profit. To tell the truth, if there’s no profit, usually there are no plans for a next concert. Because we need profit for a next concert. However, we are performing, looking into the future.

Q. How was the response of the Spain audience?

Yoochun: When we see a fan from a country, we see the culture of the country. We could see the culture of Spain. It was powerful, unlike the passion we experienced in Asia. It made us think we would like to have more concerts in this country. If the stage gets bigger, I think that feeling will grow too.

Junsu: The fans drew out that power. When it was over, we felt like we did something more than we could actually do. They drew out a kind of energy, an energy impossible to draw out intentionally.

Q. I think you will feel like promoting the national glory when you perform in Europe like this?

Yoochun: It gives us more paths to go, and we feel responsibility on our shoulders, making us not think it is because we’re good. In a way, it is a concert that makes us not settle (for the current situation.) At performances in Europe, we try to be honest, without bubbles. We try to be not shy at articles saying, ‘we are this popular in Europe.’

Jaejoong: How many artists will there be among Asian artists, able to make a bubbleless, honest performance in a small venue, doing the first concert in Europe? Someone could say it was successful, even though it was not, but we don’t like that.

Q. What do you mean by ‘more paths to go’?

Jaejoong: When we performed in Japan, we had about 200,000 people per concert. We have nearly 1,000,000 people when we have four concerts, two in Osaka and two in Tokyo. When we have concerts in big venues like that, even we start to settle for our position, thinking ‘Where would be bigger than here in the future,’ or ‘Do we have a place to go up,’ and start to be too proud. It’s painful for an artist if there’s no goals to achieve anymore. However when we have smaller concerts in other countries and see the empty seats, it becomes a new goal for us, rather than a hollow feeling.

Junsu: We had to start from the very bottom in Japan too. We felt our popularity becoming more strong and solid, and at last, achieved a grand slam. It is right to start like this in Europe too.

Q. Isn’t it hard, not able to appear on music shows in Korea?

Junsu: It’s sad when we people look down on us, saying we aren’t popular. It feels terrible when they belittle us, like lowering the number of fans to prove they’re right.

Q. How do you think the relationship will be with the seperated members?

Yoochun: I thought ‘is it that hard to reunite?’ when I was young, watching teams breaking up like Seo Taeji and Sechs Kies. It is hard. Because it’s not what we, just the five of us, can do. It’s difficult to give you a definite answer.

Credit: http://1hyuk.tistory.com/5 (YTN journalist’s blog)

Translated by With Junsu


10 thoughts on “[NEWS] JYJ in Berlin – off the record interview

  1. I wasn’t aware of this interview, so thank you for the translation 🙂
    I feel sad knowing their feelings about the situation. I hope fans continue to stand together in supporting them.

  2. love him more when he said: “It’s sad when we people look down on us, saying we aren’t popular. It feels terrible when they belittle us, like lowering the number of fans to prove they’re right.”
    I think the Q and the A didn’t match? but Junsu is being Junsu, speak out the truth. a real man.

    and a very good answer of Jaejoong : “However when we have smaller concerts in other countries and see the empty seats, it becomes a new goal for us, rather than a hollow feeling.”

    well, yes, they are smart men. *hands down* bravo JYJ.
    thanks moni. ❤

  3. ’bout asian artists having concerts in EU in small scales, well, i think jyj is just not that used to indie scene of asian artists, in essence of artists touring with their own songs / bands instead of being backed by big/huge companies (an example is j-rock bands). but taking into account how long jyj were trained to be idol as mere idol for commercialized tool, i start to feel appreciated again for this market approach from korean singers – in this case, jyj – when last one or two years, kpop-related popularity, even on regional scale of asia, was such a huge turn-off to me (& every 10-out-of-9.5 friends i’ve introduced some k-songs) due to this big ego (& self-delusion) and exaggeration.
    i hope jyj continues this approach for their music market expansion, in bigger picture for getting their own music through and thorough.

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