For Kim Junsu, who is at his peak of his musical career, his husky voice and over-pronunciation which still clearly delivered the messages in his lines, were unfamiliar to the audiences but very much close to who he was: Der Tod. Kim’s relaxed voice and his evenly flowing breathing sound melted into Tod’s song, a particularly slow one among all 44 tracks. It embraced a strange atmosphere with Kim’s voice. Just like Kim promised that he will play an “active” version of Tod, every bit of his movement had a strong, yet soft, tension. His vocal technique of using his chest and head back and forth breathed life into the relationship between Tod and Elisabeth, who endlessly longed for the death of freedom.
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